MOMHEART production wrap

MOMHEART short film directed by The Joes (Joe Naylor and Joe Pellegrino) wrapped production on Saturday, February 16th. We filmed a few pick-up scenes left from the previous production last December 1st to 3rd, starting at an apartment complex before moving to a park location in West Asheville for a gory grilling sequence. Gunner Willis (Netflix’s OZARK, HBO’s VICE PRINCIPALS, and POP-POP IS DEAD) is Gavin, a childlike man who turns to a shady family rental service to fill the void in his heart left from never knowing real family.

The second shoot crew had The Joes as co-directors, Madeleine Richardson as 1st AD, Aaron Shirley as Director of Photography, Ted Kendrick as Producer, Braethun Bharathae-Lane as Sound, John Morse as PA, with Jeffrey DeCristofaro and Herbert Ellis as the two Goons, and introduces and features George Romero as Francisco. MOMHEART has wrapped principal photography, and now enters post-production.

MOMHEART production

The MOMHEART short film went into production from December 1st to 3rd in Asheville, North Carolina. Artificial Ink Creative produced the dark comedy with The Joes directing duo of Joe Naylor and Joe Pellegrino. Our three days of filming passed by quickly and ultimately went unfinished. Another pick-up day has been scheduled for February to complete the project, and capture the final scenes.

The film stars Gunner Willis (actor native to Greenville, SC with credits in Netflix’s OZARK, HBO’s VICE PRINCIPALS, and POP-POP IS DEAD) as Gavin, a childlike and impressionable man, who moves into his first apartment. He has never known the love of a real family since losing his mother at an early age so he reluctantly turns to FamNi Inc., a shady family rental service, to fill the void in his longing heart.

Additional cast included Asheville acting staples such as Jennifer Trudrung, Jeffrey DeCristofaro, Franklin Lovingood and Lauren Davis, as well as newcomers Delroy Hartley, George Romero, and Herbert Ellis. Our crew was led by Madeleine Richardson as 1st AD, and an excellent camera department including Aaron Shirley and Rome Widenhouse. We were also joined by Braethun Bharathae-Lane (Sound), Mark Sundara (Stunt Coordinator), John Lauterbach (Makeup/Effects), Colston Byrd of Battery Powered Hooker Boots (Art Director), John Elder (Grip), with Rebekah Babelay and Nick Belvin as Production Assistants, among others.

Expect more news and information pertaining to the MOMHEART short film in the coming months throughout 2019, and for now, enjoy all of the behind-the-scenes photography captured by Marisa Muldoon during the initial days of production.

MOMHEART crowdfunding campaign

Lately I’ve been producing independent film projects like the comedy feature POP-POP IS DEAD by Coki Productions, which recently made its film festival debut on November 16th at the LA Comedy Film Festival, and the MOMHEART short film entering production from December 1st-3rd in Asheville, North Carolina.

MOMHEART is a dark comedy with sci-fi elements about an impressionable and childlike man named Gavin, who moves into his very first apartment. He has never known the love of a real family since losing his mother at an early age so he reluctantly turns to FamNi Inc., a shady family rental service, to fill the void in his heart. The film stars Gunner Willis (Netflix’s OZARK, HBO’s VICE PRINCIPALS), and is written and directed by filmmaking duo The Joes, Joe Naylor and Joe Pellegrino.

At the moment, we are gathering our resources, and aim to raise a modest $2000 for production– so close to the goal! –and currently accepting donations over Indiegogo: (https://igg.me/at/Momheart/x). If you can’t donate, you can support our efforts by sharing the campaign over social media. The Joes and I appreciate any measure of support in spreading the word and gathering an audience.

BUSTER BUSINESS short film

Over the first weekend of September, Brittany and I traveled to Greenville, South Carolina to work on BUSTER BUSINESS, a comedy short film in the vein of Charlie Chaplin and Pixar, where a quirky man named Buster interviews for a job at Big Business. The film was written and directed by Gunner Willis and Corey Wavle, who also stars as the lead Buster, with Zach Robinson and MJ Slide as Producers.

Day one took place entirely on a sound stage at Anderson College in Spartanburg, South Carolina. In the photo below, Gunner Willis directs the corporate extras who work at Big Business as an anonymous mob of black ties and briefcases. MJ Slide looks on as the 1st AD, keeping the production safe and on schedule. The rail across the room was the dolly track, which was used for many moving shots.

Corey Wavle played Buster as a timid but quick witted man with a Kurt Cobain hairstyle and taste for vintage clothes. He enters the lions’ den, totally out of his element, but when faced with unpredictable obstacles and impossible questions, Buster turns his troubles into his advantages. I was not familiar with Wavle’s acting, but knew him previously from his work as a 1st AC on GOOD HAIR THE MOVIE. Gunner Willis, the Director, is a working actor himself, who has appeared in minor roles on Netflix’s OZARK and HBO’s VICE PRINCIPALS television series.

The remainder of the crew on BUSTER BUSINESS was a total pleasure to work with, and involved John Carrington (DP), Kyle Vines (1st AC), Levi Milinar (2nd AC), Thomas Propst (Sound Mixer), Rob Leonard (Boom Op), Shane McMullin (Gaffer), Diana Valerie (Makeup / Hair), Carol Flack (Wardrobe), Clayton Tilley (Production Designer), Rachel Summers (Art Design), Jamie Condon (Key Grip), Micah Taylor (Swing Grip), Tommy Schwendler (Grip), Ben Wallace (Grip), Jon Stegenga (Grip), Nina Publico (PA), Elizabeth Paige (PA), and Brittany Jackson (PA) with BTS photos by Elizabeth Kabakjian and Jordan Hawkins. Supporting actors also included Russ Wood, Joe Wilson, Bruce Green, Debbie Goodwin, Rishik Patel, and Jared Buchholz.

We did it. And I couldn’t be more exhausted or proud. #BusterBusiness 📸 – @jzhawkins

A post shared by MJ Slide (@mj_slide) on

As the Script Supervisor, I worked closely with the Director, Gunner Willis, to note each take for script consistency as well as any visual incongruities. I kept a running log of notes which should serve as an important resource for the Editor, so they may anticipate any problems with a performance or production error in advance, and know exactly which take was best received. As one of the few people on set who actively watched the monitor for each take, I feel lucky to have such an inside perspective on how hilariously beautiful this film will be once it’s finished.

Be on the lookout for more info on BUSTER BUSINESS over the next few months as they enter post production and beyond. I expect the entire film will be completed by the end of the year with a slew of film festival screenings starting in early 2018.