In these uncertain times, I know that I’ve started to automatically tune out anything that begins with those four words: “In these uncertain times”, so please forgive me. COVID-19 turned the world upside down for over six months and counting as of this writing. Everyone’s plans for 2020 were postponed in an effort to social distance and flatten the curve. Meanwhile, I’m over here– as Ted Kendrick and Artificial Ink Creative– still looking towards a creative future, keeping my head down, trying not to cause too much trouble, and use the pause from the pandemic to write and create as much as possible while the free time has presented itself.
Participating in the Producer’s panel for AVLFilm.com‘s February 2020 mixer was one of the last normal things that I did this year, and it was definitely a privilege to chat about the film production process alongside James Suttles of The Asheville Studio and SuttleFilm, and Jennifer Trudrung of Night Frizz Productions. I was booked to work as a Production Coordinator on a TV web-series that was scheduled for production from May to July 2020, but postponed until 2021 because of the pandemic, and while I’m still welcome to the position, I am unsure as to what 2021 has in store for me. In any case, I took the time to be certified by Safe Sets International in their COVID-19 (Level A) training for the film and video production industry in preparation for the inevitable and eventual return to set.
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@artificial.ink.creative takes the COVID-19 pandemic seriously, and has been certified in Level A training from @practicesafesets.co to ensure compliance with social distancing challenges on film sets. #covid19prevention #coronavirusresponse #filmproduction #filmsafety #safesets #indiefilm #filmnc #ncfilm #avlfilm
Some projects were still possible to undertake in pandemic times. For example, during the summer, I collaborated with my brother Joe Kendrick to create an informational video for my father’s law firm NWKT in Birmingham, Alabama, which featured firm partner William McKenzie, to assist plaintiffs in their COVID-19 legal strategies. We captured the video in the mock courtroom as you can see in the behind-the-scenes image embedded below. Other blog posts have shared details on the work that I did for the Watchtower Database around the same time as well.
What I saw at the beginning of 2020 as a devastating blow to my routine, being laid off my day job in early January after the entire office was shut down in order to outsource work from another city, actually turned out to be somewhat of a saving grace. Otherwise I may not have been as easily eligible to receive financial aid in unemployment insurance, which kept me afloat while I turned my attention towards writing and developing multiple projects, including five short film scripts written in collaboration with Rome Widenhouse such as the long-teased THE REPLICA RAID III, and some I have not mentioned on the blog before: sci-fi shorts 4SIGHT and A DRIVE-THROUGH WINDOW TO THE MULTIVERSE, as well as surreal horror shorts AUTOTOMY and THRESHOLD. I’ve also dipped back into songwriting and music recording, an art that I used to focus on more prolifically, in early production on a potential outdoors comedy web-series, and in development on a comic book passion project, the psychedelic noir romance ADDITIVITY. Keep an eye on this blog and follow @artificial.ink.creative on social media for updates.