The Joes directing duo of Joe Naylor and Joe Pellegrino promised me some professional headshots as part of my payment for producing the MOMHEART short film. We captured these photos in late July 2019 at various places in Asheville, North Carolina. I knew that I wanted highly detailed black and white textured photos in a controlled interior space, which occurred at the Grey Eagle venue in the immediate photos below. Afterwards, we walked throughout downtown to collect candid shots. I was very impressed with the Joes’ work, and always grateful for updated headshots, which are critical for the freelance creative arena.
POP-POP IS DEAD by Coki Productions, which began as a 60 minute dramatic comedy feature film, is now available to stream online with Vimeo in an updated web-series format that chops the feature into four episodes running about 15 minutes each. The film premiered in August 2018 at the Buckhead Theater in Atlanta, and enjoyed a successful festival run over the year with screenings at LA Comedy Film Festival, Winter Film Awards in New York City, and a special encore event at Cat Fly Film Festival 2019. Binge watch the entire web-series now!
COMPASSION, the short film anthology written and directed by Jeff Corpening from Corpening Media, completed principal photography on the final of the three parts in mid-August 2019. Pre-production had begun over a year prior in February 2018, when I began to guide production on the first installment, which starred Victor Hough with cinematography by David Craig in a setting that challenged a land developer to look past the present. Betsy Cardwell was another Producer on the project, and the glue that kept consistency and continuity in all three parts.
Part III underwent production in November 2018, and starred Emily McDaniel and Camila Escobar in which a WWII stageplay strangely turns into reality. Part II was filmed last, and featured Lavin Cuddihee and Melanie Stauss in an fairy tale trial which looked to establish empathy between man and beast. Both parts II and III were helmed by cinematographer Brad Hoover, head instructor at the Asheville School of Film. Check out the teaser trailer for Parts I and III below!
Artificial Ink Creative, LLC has produced its first batch of official t-shirts which were given as gifts to key cast and crew who have been important assets over the years. Lightning Bolt Ink screen-printed the shirts out of their shop in downtown Asheville, North Carolina. They approached the white font and grey streak in the logo design with two separate screens to create the desired texture effect.
The shirts were modeled by Braethun Bharathae-Lane and Whitley Albury who now rep the Artificial Ink brand both online and out in the world. Another batch of t-shirts will be ordered from Lightning Bolt Ink before the end of the 2019 year, and will be available for purchase at $15 per shirt in sizes S, M, L and XL. Shirts in XXL and up available upon request for $17. Email email@example.com to reserve your shirt today and ensure you don’t miss the second round!
Graphic Content is the comic book and graphic novel review show hosted by myself, Ted Kendrick. New episodes are released on the Watchtower Database over a consistent biweekly schedule every other Wednesday. Although I’m still feeling out the format and my comfortability behind camera, I’ve truly enjoyed sharing the books and series that I’m reading with the near 40,000 channel subscribers at the time of this writing. The following few episodes were all released over the last four months, and primarily feature DC Comics’ characters such as Batman, the Flash, and Young Justice, with the occasional focus on more original characters.
The above episodes take an introspective on the recent Batman and Flash crossover “The Price” which tied-in with the HEROES IN CRISIS mini-series. YOUNG JUSTICE was rebooted with the original team by writer Brian Michael Bendis, the Arkham Knight character spun out of the video game into the pages of Detective Comics #1000, and Peter Cannon, Thunderbolt received a WATCHMEN inspired reimagining by Dynamite Entertainment. The below episodes focus on DC Comics’ zombie horror event DCEASED, the beautifully painted MARVELS by Kurt Busiek and Alex Ross, and two Vertigo Comics classics in Frank Miller’s seminal early work RONIN and Grant Morrison’s counter culture cult hit THE INVISIBLES.
Team Artificial Ink has created a Director’s Cut for our 48 Hour Film Project entry PHOBOS CON, now available to watch online via YouTube. This version is only slighted edited from the submission copy entered into the competition. The director’s cut includes filters to distinguish the diegetic camcorder elements, twenty seconds of additional comedic footage, and corrected scrolling credits.
PHOBOS CON screened at the Best Of 2019 Asheville 48 Hour Film Project event on Thursday, July 18th at Asheville Pizza and Brewing Company. The film was awarded Best Makeup, rightly earned by Co-Producer Zach Echols, as well as nominations for Best Use of Prop (a kite) and Line of Dialogue (“This isn’t what I signed up for”).
12th Level Intellects— the geek news podcast co-hosted by myself, Ted Kendrick, and James Strecker– is continuing steadily forward on its bi-weekly schedule with the Watchtower Database, available for listen on Apple, YouTube, and several other podcast platforms. Ironically for this batch of episodes, we lived in a world where superhero cinema received two Captain Marvel movies in one month; the Marvel Studios entry with Brie Larson and DC Entertainment’s SHAZAM!, though the character stopped using the name Captain Marvel within the last decade.
We took a swerve in topic to discuss the launch of GAME OF THRONES season 8 with my friend and GOT expert John Morse, which ended up getting one of the lowest listening counts in the podcast’s history. I suppose the audience didn’t transfer into wanting to hear us talk about GAME OF THRONES. The rest of the world didn’t seem satisfied with how season 8 ultimately played out either. After that flop of an episode, we stuck to discussing AVENGERS: ENDGAME and going through THE NEW BATMAN ADVENTURES episodes like the fanbase truly wants.
X-MEN: DARK PHOENIX was the final chapter in FOX’s X-MEN franchise after its acquisition by Disney, the film landed with a more expensive flop after an attempt to recreate the same storyline from X-MEN: THE LAST STAND, regarded by many to be the worst installment of the series. On a more positive note, 12th Level Intellects tried its first livestream video podcast, which went pretty well after about 15 minutes of technical difficulties, to chat about the release of the latest LEGACIES OF THE DCAU webcomic issue, “Anno Domini: Prebirth”, the first installment of stories set specifically in the canonical year of 2019 in the DCAU.
The MOMHEART short film directed by The Joes and produced by Artificial Ink Creative LLC premieres at The Big Fancy event hosted by Sly Grog Lounge in Asheville, NC on Saturday, July 6th. The festival is one night only with a $10 cover, and fancy dress code, however best interpreted, for a night to be remembered.
The Big Fancy will also feature additional short films including another recent Artificial Ink Creative project THE REPLICA RAID II, and multiple album releases by local Asheville-based bands, some of whom contributed to the MOMHEART soundtrack such as Battery Powered Hooker Boots and Mike Anderson. Other musical acts will include Half-State, Lil’ Loswer and GLitch SLap, among others.
Additional shenanigans on site at Sly Grog Lounge will include breweries, CBD farmers from Clover who will set up a Dab Tent, retailers from Griftown Screen Printing, burlesque performances from Erin Trixi and Theresa Coggiola, live record cutting by American Vinyl, and “Live Food From Scratch” by La La Diabla.
Artificial Ink participated in the 2019 Asheville 48 Hour Film Project, which marks the fourth year that I’ve competed, but the first year as a branded team. Artificial Ink received the genres “Sci-Fi / Road Movie”. Although the official rules say that teams only need to choose one of the genres, we decided to try both, and I think it turned out pretty darn decent given the parameters of the 48 Hour Film Project.
The images above are screenshots from the 48HFP entry entitled PHOBOS CON. The short film will be online within the next few weeks as the Director’s Cut is ultimately finalized. Personally, I am of the mind that the 48HFP reaps whatever it sows as a project, but there were a few credits snafus and edits needed before the film inevitably lands on the internet. Team Artificial Ink also had the pleasure of being featured on the local news, ABC 13 WLOS, owed primarily to Garin Wilson, the Director of Photography, who works for the broadcasting company.
Roughly twenty different films screened together for the Asheville 48 Hour Film Project, which was hosted at Asheville Pizza and Brewing Company on Merrimon Avenue. Team Artificial Ink played on Tuesday 6/25 at 10pm and Wednesday 6/26 at 7pm, which all screenings sold out per usual for the 48HFP. There was plenty of steep local competition, but I think we held our own, though the point of the event is always to gauge progress in the production process from the previous year.
Most of the team was able to attend the premiere screening, as depicted above, from the left to right: Timothy McCarthy, Lyle Henry, Jeffrey DeCristofaro, Ted Kendrick, Jeffery Ray, Whitley Albury, Zach Echols, Garin Wilson, and Joe Kendrick. The behind the scenes photographs below were all captured by Jeffrey DeCristofaro who had a minor acting role in the film as the designated character Grant MacDonald, window washer. The other elements included a line of dialogue, “This isn’t what I signed up for” and prop of “a kite”. Overall, it was another challenging but educational experience in passionate guerrilla filmmaking.
LEGACIES OF THE DCAU returns for a special six-pager entitled “Anno Domini: Prebirth”. Anno Domini means “the year of our lord” in Latin, which informs the AD in our society’s current calendar listing. The issue was released on June 21st, 2019, which the Watchtower Database team deduced was the exact canonical date that Bruce Wayne retires from being Batman based on a BATMAN BEYOND promotional comic issue retelling the events of the cartoon’s premiere episode “Rebirth, Part 1.” The issue was pencilled by Marcelo Millicay with the cover art by Rick Celis.
“Prebirth” occurs prior to the opening scene in BATMAN BEYOND’s first episode, and reveals what Bruce Wayne was doing mere hours before his final night as Batman. Between appearances by Jim Gordon, Veronica Vreeland, and Derek Powers, the issue is ripe with Gothamites whose stories could use a little more fleshing out before the beginning of BATMAN BEYOND. The issue was an absolute pleasure for me to write, and can be read online in its entirety at the link below.
Click the cover to read “Anno Domini: Prebirth”!
This particular issue of LEGACIES had various coloring duties shared by James Strecker and Mark Daniel Martinez, lettering by myself which insures my script stays in tact, with story editing input from James Strecker and Mattie Washburn. The promo video also featured music by Adam Mullen. “Anno Domini” is the overarching title given to special issues set within the year 2019. Provided all goes to plan, expect more chapters within the “Anno Domini” arc before the year is up.