Artificial Ink @ Asheville 48HFP 2019

Artificial Ink participated in the 2019 Asheville 48 Hour Film Project, which marks the fourth year that I’ve competed, but the first year as a branded team. Artificial Ink received the genres “Sci-Fi / Road Movie”. Although the official rules say that teams only need to choose one of the genres, we decided to try both, and I think it turned out pretty darn decent given the parameters of the 48 Hour Film Project.

The images above are screenshots from the 48HFP entry entitled PHOBOS CON. The short film will be online within the next few weeks as the Director’s Cut is ultimately finalized. Personally, I am of the mind that the 48HFP reaps whatever it sows as a project, but there were a few credits snafus and edits needed before the film inevitably lands on the internet. Team Artificial Ink also had the pleasure of being featured on the local news, ABC 13 WLOS, owed primarily to Garin Wilson, the Director of Photography, who works for the broadcasting company.

Roughly twenty different films screened together for the Asheville 48 Hour Film Project, which was hosted at Asheville Pizza and Brewing Company on Merrimon Avenue. Team Artificial Ink played on Tuesday 6/25 at 10pm and Wednesday 6/26 at 7pm, which all screenings sold out per usual for the 48HFP. There was plenty of steep local competition, but I think we held our own, though the point of the event is always to gauge progress in the production process from the previous year.

Most of the team was able to attend the premiere screening, as depicted above, from the left to right: Timothy McCarthy, Lyle Henry, Jeffrey DeCristofaro, Ted Kendrick, Jeffery Ray, Whitley Albury, Zach Echols, Garin Wilson, and Joe Kendrick. The behind the scenes photographs below were all captured by Jeffrey DeCristofaro who had a minor acting role in the film as the designated character Grant MacDonald, window washer. The other elements included a line of dialogue, “This isn’t what I signed up for” and prop of “a kite”. Overall, it was another challenging but educational experience in passionate guerrilla filmmaking.

BUSTER BUSINESS short film

Over the first weekend of September, Brittany and I traveled to Greenville, South Carolina to work on BUSTER BUSINESS, a comedy short film in the vein of Charlie Chaplin and Pixar, where a quirky man named Buster interviews for a job at Big Business. The film was written and directed by Gunner Willis and Corey Wavle, who also stars as the lead Buster, with Zach Robinson and MJ Slide as Producers.

Day one took place entirely on a sound stage at Anderson College in Spartanburg, South Carolina. In the photo below, Gunner Willis directs the corporate extras who work at Big Business as an anonymous mob of black ties and briefcases. MJ Slide looks on as the 1st AD, keeping the production safe and on schedule. The rail across the room was the dolly track, which was used for many moving shots.

Corey Wavle played Buster as a timid but quick witted man with a Kurt Cobain hairstyle and taste for vintage clothes. He enters the lions’ den, totally out of his element, but when faced with unpredictable obstacles and impossible questions, Buster turns his troubles into his advantages. I was not familiar with Wavle’s acting, but knew him previously from his work as a 1st AC on GOOD HAIR THE MOVIE. Gunner Willis, the Director, is a working actor himself, who has appeared in minor roles on Netflix’s OZARK and HBO’s VICE PRINCIPALS television series.

The remainder of the crew on BUSTER BUSINESS was a total pleasure to work with, and involved John Carrington (DP), Kyle Vines (1st AC), Levi Milinar (2nd AC), Thomas Propst (Sound Mixer), Rob Leonard (Boom Op), Shane McMullin (Gaffer), Diana Valerie (Makeup / Hair), Carol Flack (Wardrobe), Clayton Tilley (Production Designer), Rachel Summers (Art Design), Jamie Condon (Key Grip), Micah Taylor (Swing Grip), Tommy Schwendler (Grip), Ben Wallace (Grip), Jon Stegenga (Grip), Nina Publico (PA), Elizabeth Paige (PA), and Brittany Jackson (PA) with BTS photos by Elizabeth Kabakjian and Jordan Hawkins. Supporting actors also included Russ Wood, Joe Wilson, Bruce Green, Debbie Goodwin, Rishik Patel, and Jared Buchholz.

We did it. And I couldn’t be more exhausted or proud. #BusterBusiness 📸 – @jzhawkins

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As the Script Supervisor, I worked closely with the Director, Gunner Willis, to note each take for script consistency as well as any visual incongruities. I kept a running log of notes which should serve as an important resource for the Editor, so they may anticipate any problems with a performance or production error in advance, and know exactly which take was best received. As one of the few people on set who actively watched the monitor for each take, I feel lucky to have such an inside perspective on how hilariously beautiful this film will be once it’s finished.

Be on the lookout for more info on BUSTER BUSINESS over the next few months as they enter post production and beyond. I expect the entire film will be completed by the end of the year with a slew of film festival screenings starting in early 2018.

AS ONE FLESH short film

AS ONE FLESH is a horror short film written and directed by Joe Naylor. On the first day of shooting, I managed the set on Sunday, June 11th as the Producer and 1st Assistant Director. The film is about a disheveled man on the other side of a failed marriage, moping about in his empty home, until an encounter with door-to-door missionaries prompts him to consider God’s forgiveness and retribution.

The cast featured talented actors like Jeff Alexander as Nicolas, Victoria Rae as Liv, Franklin Lovingood as Micah, and James Martin as Noah. Our crew was small but skillful, with Asheville local filmmakers such as Madeleine Richardson (Director of Photography), Brittany Jackson (1st AC / Lighting), Ryan DuVal (Script Supervisor), David Weiss (Sound), Ashton Helton (Key Makeup), and Chelsey Radford (Art PA).

movie makeup magic #AsOneFlesh #shortfilm #horrorfilm #filmmaking #production #makeupart #moviemagic #artdepartment

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The project was a fun challenge, both as an equipment test and procedural practice before the 48 Hour Film Project, but also for the extensive need for special effects and gore. As you’ll see in the images below, the film included multiple scenes that demanded practical horror effects such as maggot infested wounds (though mealworms were actually used), and precise blood splatters to mimic an artery burst.


We have another day of shooting to go in July before principal photography is complete, but the film is already in post-production and underway in the editing process. We expect to finish it in time for the Halloween season where we plan to screen locally, and perhaps make a small run on the genre film festival circuit.

#indiefilmmaking a lot of #specialeffects for #asoneflesh after very very little sleep

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