LOST DOMINION #1 comic book release

LOST DOMINION is a newly released space western comic book series written by Adam Mullen, illustrated by Mike Lombardo, and published by Lumo Station LLC. In the distant future where a devastating forty year long war brought humanity to its knees, an uneasy peace between two spacefaring empires, the Skran Imperium and the Naams Protectorate, hangs in the balance. On the brink of Interstellar War, a group of unlikely allies must join together to reclaim their LOST DOMINION.

LOST DOMINION is now available for digital download reading on Amazon.com’s ComiXology. The book consists of 48 pages for $4.99. Print issues will soon be available via KaBlam’s IndyPlanet direct printing and shipping service. Check it out, and if you enjoy the comic, please rate the book five stars, and share with a friend!

Click the cover to read LOST DOMINION #1!

I was hired as Editor by Adam Mullen to reconstruct LOST DOMINION from a prose short story to comic script format. Over a few years, I helped strategize the comic’s construction from production to its eventual release. Along with James Strecker and Valentina Viesti on coloring, I assisted in the art department as Letterer, designing the word balloons and sound effects for the entire first issue. Check out the book if it sounds like your thing, and follow @lostdominioncomic on Instagram for updates on the series and additional chapter releases in the future!

12th Level Intellects: January 2018

January was a busy month for the Watchtower Database as we released three more episodes of the 12th Level Intellects podcast, hosted by James Strecker and myself.

With episode #6 scheduled on New Years Day, we decided to run an interview that we conducted a few months ago with Scott Peterson, editor on THE BATMAN ADVENTURES and writer on BATMAN GOTHAM ADVENTURES, both ancillary comics series to the legendary BATMAN: THE ANIMATED SERIES. Peterson has worked on countless other projects in the comics realm, and his interview is well worth the listen for its inspiration and look behind the initial creative process.

For episode #8, we appropriately discussed STAR WARS, EPISODE VIII: THE LAST JEDI. I must admit that I was a little rusty since I had only watched it once, and it had been a few weeks since my viewing, but James and I managed to cover the gist. There were aspects to both appreciate and critique, from the production to the plot. When you get down to it, Mark Hamill’s return to playing Luke Skywalker was a big deal, whether you thought director Rian Johnson approached that correctly or not, an argument that will be sure to permeate among fandom for years.

Another guest joined the show for episode #9 where we discussed the Marvel Cinematic Universe with Jesse Dellea, a rabid MCU fan who digests every piece of content you can find from MARVEL. We talked about recent films like last year’s SPIDER-MAN: HOMECOMING and GUARDIANS OF THE GALAXY VOL. 2, NETFLIX series THE DEFENDERS and THE PUNISHER, content on other channels such as AGENTS OF S.H.I.E.L.D. and RUNAWAYS, as well as shows from FOX’s X-MEN universe like LEGION and GIFTED. The future looks bright for MARVEL as they prep for INFINITY WAR and beyond to phase 4, which could possibly be fantastic.

CAT FLY HALLOWEEN 2017

Cat Fly Halloween was held on Friday, October 13th at UpCountry Brewing in West Asheville, North Carolina. The event sold out days in advance, and was a wonderful follow up to last spring’s inaugural Cat Fly Indie Film Festival, which was founded and curated by Brittany Jackson, Madeleine Richardson, and Cat Wityk. UpCountry Brewing hosted the screening in their tasting room, and provided a special craft beer for the event, the Cat Fly Witches Brew, a blonde ale infused with cinnamon.

These photos are from the step-and-repeat at the entrance of Cat Fly Halloween. Feel free to tag yourself and your friends and share around!

Photo cred: Michelle Graston

Posted by Cat Fly Film Fest on Tuesday, October 17, 2017

One of the films that I recently produced, AS ONE FLESH, played with an array of other horror and thriller shorts from across North Carolina, South Carolina, West Virginia, and the Southeast region. Additional cast and crew also attended, such as writer and director Joe Naylor, cinematographer Madeleine Richardson, lead actor Jeff Alexander, supporting actors Franklin Lovingood and James Martin, soundtrack composer and sound engineer Tony Mozz, lighting tech Brittany Jackson, editor Thomas Goddard, and makeup artist Ashton Helton, just to name a few, many of whom were also volunteers or programming staff for Cat Fly. I couldn’t have been more excited to share the night with such an awesome gathering of filmmakers.

clips from Cat Fly Halloween #catflyhalloween2017 #catfly #catflyordie #catflyfilmfest #indiefilm #avlfilm #ncfilm

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CAT FLY HALLOWEEN lineup

Cat Fly Indie Film Fest returns for the Cat Fly Halloween event on Friday, October 13th at UpCountry Brewing in West Asheville, North Carolina. Tickets are currently on sale, so be sure to snatch yours up in advance, because they are sure to sell out. Watch the trailer for the upcoming horror film event embedded below.

Get ready for a night of terrifying films and creepy monsters. #catflyhalloween2017 is coming this Friday.

Posted by Cat Fly Film Fest on Monday, October 9, 2017

 

I’m excited to announce that AS ONE FLESH, the short film I recently produced, will premiere at the event. The film was written, directed and edited by Joe Naylor, starring Jeff Alexander, Victoria Rae, Franklin Lovingood and James Martin, with an original score and sound mixing by Tony Mozz. It’s a fun demented mess of a movie, and I can’t wait for a live audience to watch its first time on screen.

BUSTER BUSINESS short film

Over the first weekend of September, Brittany and I traveled to Greenville, South Carolina to work on BUSTER BUSINESS, a comedy short film in the vein of Charlie Chaplin and Pixar, where a quirky man named Buster interviews for a job at Big Business. The film was written and directed by Gunner Willis and Corey Wavle, who also stars as the lead Buster, with Zach Robinson and MJ Slide as Producers.

Day one took place entirely on a sound stage at Anderson College in Spartanburg, South Carolina. In the photo below, Gunner Willis directs the corporate extras who work at Big Business as an anonymous mob of black ties and briefcases. MJ Slide looks on as the 1st AD, keeping the production safe and on schedule. The rail across the room was the dolly track, which was used for many moving shots.

Corey Wavle played Buster as a timid but quick witted man with a Kurt Cobain hairstyle and taste for vintage clothes. He enters the lions’ den, totally out of his element, but when faced with unpredictable obstacles and impossible questions, Buster turns his troubles into his advantages. I was not familiar with Wavle’s acting, but knew him previously from his work as a 1st AC on GOOD HAIR THE MOVIE. Gunner Willis, the Director, is a working actor himself, who has appeared in minor roles on Netflix’s OZARK and HBO’s VICE PRINCIPALS television series.

The remainder of the crew on BUSTER BUSINESS was a total pleasure to work with, and involved John Carrington (DP), Kyle Vines (1st AC), Levi Milinar (2nd AC), Thomas Propst (Sound Mixer), Rob Leonard (Boom Op), Shane McMullin (Gaffer), Diana Valerie (Makeup / Hair), Carol Flack (Wardrobe), Clayton Tilley (Production Designer), Rachel Summers (Art Design), Jamie Condon (Key Grip), Micah Taylor (Swing Grip), Tommy Schwendler (Grip), Ben Wallace (Grip), Jon Stegenga (Grip), Nina Publico (PA), Elizabeth Paige (PA), and Brittany Jackson (PA) with BTS photos by Elizabeth Kabakjian and Jordan Hawkins. Supporting actors also included Russ Wood, Joe Wilson, Bruce Green, Debbie Goodwin, Rishik Patel, and Jared Buchholz.

We did it. And I couldn’t be more exhausted or proud. #BusterBusiness ? – @jzhawkins

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As the Script Supervisor, I worked closely with the Director, Gunner Willis, to note each take for script consistency as well as any visual incongruities. I kept a running log of notes which should serve as an important resource for the Editor, so they may anticipate any problems with a performance or production error in advance, and know exactly which take was best received. As one of the few people on set who actively watched the monitor for each take, I feel lucky to have such an inside perspective on how hilariously beautiful this film will be once it’s finished.

Be on the lookout for more info on BUSTER BUSINESS over the next few months as they enter post production and beyond. I expect the entire film will be completed by the end of the year with a slew of film festival screenings starting in early 2018.

PROJECT GLOOM // concept art update

Project Gloom is the codename to my upcoming horror comic series that has been gestating in my head for a few years, but only in development since August 2016. I’m excited to have an outlet that will allow me to experiment with the boundaries of comics in thirteen separate chapters with almost as many artists.

My team has shifted somewhat recently, first and foremost with the addition of Rome Widenhouse as Editor. He’s already been active in the refinement of the series ending, so I’m happy to have him onboard for the initial issues. Secondly, artist Gabriel Fobert is taking on a more extensive role in the series. Find concept art by Fobert (@crypt_crow) on the Hatman phenomenon below.

#ink #sketch #art #trenchcoat #hatman The hat man cometh! ?

A photo posted by Gabriel Fobert (@crypt_crow) on

My collaborators and I had a production meeting over drinks at Burial Beer Co. just shortly before Halloween, which was both inspirational and rejuvenating. I am currently juggling two scripts on Project Gloom simultaneously, both the first and third issues, with drafts expected for completion within the month.

PROJECT MINUTE PIGEON // intro

Since last April, I’ve been working as an Editor on an independent comic series I’ll call Project Minute Pigeon for now. Minute Pigeon is a high concept, space spaghetti western epic written by Adam Mullen and illustrated by Mike Lombardo.

What is a space spaghetti western epic, you may ask? Just accept such a dusty, noodly description for what it is and let it whet your appetite and expectations. Providing everything goes according to plan, you’ll be able to read issue #1 in print or digital means within a year or so.

Check out concept art below displaying a prominent element of the series.

banner_wmImage by Mike Lombardo