The Joes directing duo of Joe Naylor and Joe Pellegrino promised me some professional headshots as part of my payment for producing the MOMHEART short film. We captured these photos in late July 2019 at various places in Asheville, North Carolina. I knew that I wanted highly detailed black and white textured photos in a controlled interior space, which occurred at the Grey Eagle venue in the immediate photos below. Afterwards, we walked throughout downtown to collect candid shots. I was very impressed with the Joes’ work, and always grateful for updated headshots, which are critical for the freelance creative arena.
I participated in my second 48 Hour Film Project from Friday, June 16th through Sunday, June 18th. The event is held nationally in dozens of participating cities, and Asheville in particular had 22 teams this year. Each team had 48 hours to write, shoot, and edit a short film. Team Cat Fly, composed of filmmakers who participated in the Cat Fly Film Festival, entered the comedy / mystery short IT’S MY PARTY.
Team Cat Fly’s crew comprised of myself Ted Kendrick (Writer / Producer / 1st AD), Ryan DuVal (Director / Writer), Joe Naylor (Writer / Script Supervisor), Paul Rouse (Writer / Sound), Brittany Jackson (EP / 2nd AC), Madeleine Richardson (EP / Editor), Keeley Turner (EP / DP), Isabel Ferber (Art), Thomas Goddard (2nd Unit DP / Color Correction), Zeke MacMillan (Sound), and Tony Mozz (Sound Engineer).
Many local actors featured in shorts that screened at the Cat Fly Film Festival also starred in IT’S MY PARTY, such as Jeff Alexander, Elizabeth Babelay, Rebekah Babelay, Nick Biggs, Cameron Gregg, Caitlin Koenig, Franklin Lovingood, James Martin, Victoria Rae, Drez Ryan, Kendra Warren and Cat Wityk as hypochondriac Paula Wilhelm, the character all teams were required to use, our only fictitious name.
Original music was written for the film, including the diarrhea diddy “I’m Waiting” by singer/songwriter Kendra Warren, which utilized the line all teams needed as the song title and main chorus, as well as the synth-wave dance groove “Mystery Machine” by Tony Mozz, who also lent his expert ears for the sound mixing.
Madeleine Richardson was the primary editor, and powered through the process for over 30 hours straight. She got started as soon as there was footage available, and locked picture by Sunday afternoon. Thomas Goddard provided his services for color correction, and Tony Mozz speedily mixed the entire film together at the final hour, always facing down the most impossible tasks, only for the exporting to put us behind deadline, disqualifying us from awards aside from audience choice. Disappointing end to the weekend, but the event is always a learning experience.
The 48 Hour Film Project screened at Asheville Pizza and Brewing Company on Tuesday, June 20th and Wednesday, June 21st, both days at 7pm and 10pm ET, hosted and produced by Bruce Sales of 2BruceStudio. The audience seemed to really enjoy our film, and I found the others in competition to be just as entertaining. It’s always a fun game to identify the required elements in each short film, such as character (Paula Wilhelm, hypochondriac), prop (chair), and line (“I’m waiting”). Team Cat Fly’s entry IT’S MY PARTY will be released online in the near future.
AS ONE FLESH is a horror short film written and directed by Joe Naylor. On the first day of shooting, I managed the set on Sunday, June 11th as the Producer and 1st Assistant Director. The film is about a disheveled man on the other side of a failed marriage, moping about in his empty home, until an encounter with door-to-door missionaries prompts him to consider God’s forgiveness and retribution.
The cast featured talented actors like Jeff Alexander as Nicolas, Victoria Rae as Liv, Franklin Lovingood as Micah, and James Martin as Noah. Our crew was small but skillful, with Asheville local filmmakers such as Madeleine Richardson (Director of Photography), Brittany Jackson (1st AC / Lighting), Ryan DuVal (Script Supervisor), David Weiss (Sound), Ashton Helton (Key Makeup), and Chelsey Radford (Art PA).
The project was a fun challenge, both as an equipment test and procedural practice before the 48 Hour Film Project, but also for the extensive need for special effects and gore. As you’ll see in the images below, the film included multiple scenes that demanded practical horror effects such as maggot infested wounds (though mealworms were actually used), and precise blood splatters to mimic an artery burst.
We have another day of shooting to go in July before principal photography is complete, but the film is already in post-production and underway in the editing process. We expect to finish it in time for the Halloween season where we plan to screen locally, and perhaps make a small run on the genre film festival circuit.