Creating in COVID-19 Times

In these uncertain times, I know that I’ve started to automatically tune out anything that begins with those four words: “In these uncertain times”, so please forgive me. COVID-19 turned the world upside down for over six months and counting as of this writing. Everyone’s plans for 2020 were postponed in an effort to social distance and flatten the curve. Meanwhile, I’m over here– as Ted Kendrick and Artificial Ink Creative– still looking towards a creative future, keeping my head down, trying not to cause too much trouble, and use the pause from the pandemic to write and create as much as possible while the free time has presented itself.

Participating in the Producer’s panel for AVLFilm.com‘s February 2020 mixer was one of the last normal things that I did this year, and it was definitely a privilege to chat about the film production process alongside James Suttles of The Asheville Studio and SuttleFilm, and Jennifer Trudrung of Night Frizz Productions. I was booked to work as a Production Coordinator on a TV web-series that was scheduled for production from May to July 2020, but postponed until 2021 because of the pandemic, and while I’m still welcome to the position, I am unsure as to what 2021 has in store for me. In any case, I took the time to be certified by Safe Sets International in their COVID-19 (Level A) training for the film and video production industry in preparation for the inevitable and eventual return to set.

Some projects were still possible to undertake in pandemic times. For example, during the summer, I collaborated with my brother Joe Kendrick to create an informational video for my father’s law firm NWKT in Birmingham, Alabama, which featured firm partner William McKenzie, to assist plaintiffs in their COVID-19 legal strategies. We captured the video in the mock courtroom as you can see in the behind-the-scenes image embedded below. Other blog posts have shared details on the work that I did for the Watchtower Database around the same time as well.

What I saw at the beginning of 2020 as a devastating blow to my routine, being laid off my day job in early January after the entire office was shut down in order to outsource work from another city, actually turned out to be somewhat of a saving grace. Otherwise I may not have been as easily eligible to receive financial aid in unemployment insurance, which kept me afloat while I turned my attention towards writing and developing multiple projects, including five short film scripts written in collaboration with Rome Widenhouse such as the long-teased THE REPLICA RAID III, and some I have not mentioned on the blog before: sci-fi shorts 4SIGHT and A DRIVE-THROUGH WINDOW TO THE MULTIVERSE, as well as surreal horror shorts AUTOTOMY and THRESHOLD. I’ve also dipped back into songwriting and music recording, an art that I used to focus on more prolifically, in early production on a potential outdoors comedy web-series, and in development on a comic book passion project, the psychedelic noir romance ADDITIVITY. Keep an eye on this blog and follow @artificial.ink.creative on social media for updates.

Artificial Ink in 2020 Film Fests

During the COVID-19 pandemic, most film festivals are postponing their events or switching to an online streaming format. Artificial Ink Creative worked on a few creative projects that have recently been selected for screening in late May 2020, particularly Cat Fly Film Festival‘s “Cat Fly and Chill” event as well as ConCarolinas Short Film Festival, not to mention festival strategy work for other filmmakers.

“Cat Fly and Chill” is the latest event from Cat Fly Film Festival, originally intended as a three day screening in Asheville, North Carolina, though now rescheduled as an online streaming event. Ted Kendrick assisted Kira Bursky in extras casting and festival strategy for BEAUTIFUL MESS short film which plays on the first day, May 29th. The second day on May 30th will showcase multiple film projects produced by Ted Kendrick including the DOUBLE AGENT short film which was also written and directed by Kendrick, MOMHEART short film starring Gunner Willis and directed by Joe Naylor and Joe Pellegrino, as well as the “Elevator Went” music video for the Asheville based band Wyla which was directed by Rome Widenhouse.

THE REPLICA RAID II short film starring Jeff Alexander was written, directed, and produced by Ted Kendrick, and will play at the 2020 ConCarolinas Short Film Festival, which is traditionally paired with a comic and gaming convention in Charlotte, NC but will stream online this year in response to the pandemic. THE REPLICA RAID III final installment is in pre-production with the hope to film ASAP.

Follow both Cat Fly Film Fest and ConCarolinas Short Film Festival on social media for more information on the upcoming screening schedules, and tune in to the online livestreams at the end of May 2020 in an effort to support indie filmmaking.

REPLICA RAID II @ Geek Short Film Fest

THE REPLICA RAID II sci-fi short film was selected to screen at the 2019 Greek Short Film Festival in Charlotte, North Carolina as part of the Geek Gala event. The theme this year is Tiki Slumber Party-o-Rama. Don’t ask me what that means because I don’t know yet. The film festival runs throughout the day from 10am to 4pm as part of the Muggle Market at Noah’s Event Venue which is free to attend.

I’ve added laurels for the Geek Short Film Festival to the film poster, next to the ones from Cat Fly Indie Film Festival which is where RR2 premiered in March 2019. THE REPLICA RAID III, the final installment of the unanticipated series, is in development with a finished first draft underway in edits. More on that to come.